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Grâce à cela, mon cœur est rempli d'une pureté que je n'avais pas ressentie depuis longtemps, et je vous écris cette réponse avant que cette émotion ne s'estompe. Pour être honnête, « Nuit Éblouissante » a été assez surprenant. J'imaginais que le premier album de LA POEM, et particulièrement le thème central, porterait sur les choses les plus chaleureuses. À ma surprise, c'était un récit qui dépeignait paradoxalement avec beauté une rupture terriblement douloureuse. Depuis un certain temps, je suis devenue une parolière incapable d'écrire la « rupture » de manière purement triste. C'est depuis que j'ai commencé à penser que la rupture est entourée d'une énergie suffisante pour faire grandir quelqu'un. L'expérience d'avoir possédé quelque chose de si précieux qu'on lui donne le nom de « rupture », la peur que l'on n'apprend qu'en possédant ce que l'on ne veut pas perdre, et la force qui nous rend plus forts à mesure que cette peur grandit. Puis, les innombrables chagrins et la résignation nécessaires pour accepter de laisser partir ce qui était si précieux, jusqu'à l'espace solide qu'est le « moi », capable de contenir à nouveau les beautés ainsi acquises. Après avoir reçu un salut vigoureux avec « Amigos Para Siempre », j'ai eu l'impression que tout ce qui était inutile et visqueux stagnait en moi s'évacuait en écoutant successivement « Nouvelle Lune », « Nuit Éblouissante » et « Première Pluie ». « La Tempesta », en particulier, me l'a dit de manière encore plus ferme. J'ai déjà dit que LA POEM me semblait être un groupe semblable à un système audio de luxe. Ce qui produit un bon son, avant l'instrument et la musique, c'est l'« espace ». Fidèle à eux-mêmes, ont-ils voulu d'abord nettoyer l'espace où ils allaient entrer pour chanter ? Merci de m'avoir montré, à travers cet album, qu'une belle histoire et un beau son ne sont absolument pas des concepts distincts. Je garderai en mémoire cette attention délicate d'avoir d'abord caressé les choses les plus lourdes et les plus douloureuses. P.S. : Curieusement, vos quatre voix jouent des rôles différents pour moi. « L'Idéal », « La Détermination », « Moi qui vis aujourd'hui » et « La Terre sur laquelle je me tiens ». Je laisse bien sûr la réponse exacte à l'interprétation de chacun. Cordialement, Kim Eana 1. Pas de poster 2. 165mm x 145mm16:Ta0c,Re : SCÈNE #1 J'ai beaucoup aimé l'écoute. Ce fut un honneur d'être la première personne à entendre votre histoire. Grâce à cela, mon cœur est rempli d'une pureté que je n'avais pas ressentie depuis longtemps, et je vous écris cette réponse avant que cette émotion ne s'estompe. Pour être honnête, « Nuit Éblouissante » a été assez surprenant. J'imaginais que le premier album de LA POEM, et particulièrement le thème central, porterait sur les choses les plus chaleureuses. À ma surprise, c'était un récit qui dépeignait paradoxalement avec beauté une rupture terriblement douloureuse. Depuis un certain temps, je suis devenue une parolière incapable d'écrire la « rupture » de manière purement triste. C'est depuis que j'ai commencé à penser que la rupture est entourée d'une énergie suffisante pour faire grandir quelqu'un. L'expérience d'avoir possédé quelque chose de si précieux qu'on lui donne le nom de « rupture », la peur que l'on n'apprend qu'en possédant ce que l'on ne veut pas perdre, et la force qui nous rend plus forts à mesure que cette peur grandit. Puis, les innombrables chagrins et la résignation nécessaires pour accepter de laisser partir ce qui était si précieux, jusqu'à l'espace solide qu'est le « moi », capable de contenir à nouveau les beautés ainsi acquises. Après avoir reçu un salut vigoureux avec « Amigos Para Siempre », j'ai eu l'impression que tout ce qui était inutile et visqueux stagnait en moi s'évacuait en écoutant successivement « Nouvelle Lune », « Nuit Éblouissante » et « Première Pluie ». « La Tempesta », en particulier, me l'a dit de manière encore plus ferme. J'ai déjà dit que LA POEM me semblait être un groupe semblable à un système audio de luxe. Ce qui produit un bon son, avant l'instrument et la musique, c'est l'« espace ». Fidèle à eux-mêmes, ont-ils voulu d'abord nettoyer l'espace où ils allaient entrer pour chanter ? Merci de m'avoir montré, à travers cet album, qu'une belle histoire et un beau son ne sont absolument pas des concepts distincts. Je garderai en mémoire cette attention délicate d'avoir d'abord caressé les choses les plus lourdes et les plus douloureuses. P.S. : Curieusement, vos quatre voix jouent des rôles différents pour moi. « L'Idéal », « La Détermination », « Moi qui vis aujourd'hui » et « La Terre sur laquelle je me tiens ». Je laisse bien sûr la réponse exacte à l'interprétation de chacun. Cordialement, Kim Eana 1. Pas de poster 2. 165mm x 145mm17:T1e78,

Track List

1. Amigos Para Siempre
2. 신월 (新月)
3. 눈부신 밤
4. 초우
5. Fantasy (with Danny Koo)
6. La Tempesta
7. Dear My Dear
8. Bonus Track (CD Only)

Details

Re : SCENE#1

잘 들었습니다. 가장 먼저 당신의 이야기를 들을 수 있어 영광이었습니다. 덕분에 근래 들어 가장 순수한 마음으로 가득 차, 이 여운이 가시기 전에 답장을 씁니다.
고백하자면 ‘눈부신 밤’은 꽤나 의외였습니다. 라포엠의 첫 앨범, 특히 주제 이야기는 가장 따스한 것들에 대한 것이리라 짐작했거든요. 놀랍게도 지독히 서러운 이별을 역설적으로 아름답게 풀어낸 이야기였습니다. 나는 언젠가부터 ‘이별’을 아주 슬프게 만은 쓰지 못하는 작사가가 되어버렸습니다. 이별이라는 것에는 사람 하나를 거뜬히 키워낼 만큼의 에너지가 앞뒤로 달려있다는 생각을 하면서부터요. 헤어짐에 이별이라는 이름이 붙여질 만큼 애틋한 무언가를 가져본 경험, 잃고 싶지 않은 것을 가져야만 배워지는 두려움, 그 두려움만큼 강인해지는 힘. 이어서 그토록 소중한 것을 보내주는 걸 받아들여야 하는 수많은 서러움과 의연함, 그리하여 얻어지는 아름다운 것들을 다시 담을 수 있는 견고한 ‘나’라는 공간까지.
‘Amigos Para Siempre’로 힘찬 인사를 받은 뒤 ‘신월’, ‘눈부신 밤’, ‘초우’를 잇달아 들으며 내 안에 고여있던 불필요하고 끈적거리는 것들이 비워지는 느낌을 받았습니다. 특히 ‘La Tempesta’는 좀 더 단호하게 그런 이야기를 해주더군요. 라포엠은 명품오디오 같은 팀이 될 것 같다고 말한 적이 있습니다. 좋은 소리를 내는 것은 악기에, 음악에 앞서 ‘공간’이지요. 역시 라포엠답게도, 들어와 노래를 부를 공간을 먼저 정리해두고 싶었던 걸까요?
좋은 이야기와 좋은 소리는 결코 별개의 개념이 아님을 앨범을 통해 알려주어서 고맙습니다. 가장 무겁고 아픈 것들을 먼저 어루만져준 세심한 마음도 기억하겠습니다.
추신: 흥미롭게도 네 분의 목소리는 저에게 다른 역할을 해주더군요. ‘이상’, ‘다짐’, ‘오늘을 살아내는 나’ 그리고 ‘내가 디디고 선 땅’ 이렇게요. 매칭의 정답은 만인의 해석으로 열어두겠지만요.

김이나 드림

<상세정보>
1. 포스터 없음
2. 165mmx145 mm

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