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So‘ngra, shunchalik qadrli narsani yuborishni qabul qilish kerak bo‘lgan ko‘plab g‘amlar va matonat, natijada esa go‘zalliklarni qayta sig‘dira oladigan mustahkam ‘men’ degan makon. ‘Amigos Para Siempre’ bilan jo‘shqin salom olganimdan so‘ng, ‘Yangi oy’ (신월), ‘Yorug‘ tun’ (눈부신 밤), ‘Yomg‘ir boshlanishi’ (초우) taronalarini ketma-ket tinglab, ichimda to‘planib qolgan keraksiz va yopishqoq narsalar tozalanayotganini his qildim. Ayniqsa, ‘La Tempesta’ buni yanada qat’iyroq aytdi. Men bir marta La Poem xuddi yuqori sifatli audio tizimga o‘xshash jamoa bo‘ladi deb aytgan edim. Yaxshi tovush chiqaradigan narsa asbobdan yoki musiqadan oldin, ‘makon’dir. La Poem’ga xos ravishda, ular avvalo qo‘shiq aytiladigan makonni tartibga solishni istaganmidi? Yaxshi hikoya va yaxshi tovush aslo alohida tushunchalar emasligini albom orqali bildirganingiz uchun rahmat. Eng og‘ir va og‘riqli narsalarni avval silab-izlagan nozik qalbingizni ham eslab qolaman. P.S.: Qiziqarlisi, to‘rtovingizning ovozlari men uchun turli rollarni bajardi. ‘Ideal’, ‘Qat’iyat’, ‘Bugungi kunni yashayotgan men’ va ‘Men oyoq bosgan yer’ kabi. Albatta, bu moslikning to‘g‘ri javobini har bir kishining o‘z talqiniga qoldiraman. Kim Ina tomonidan yuborildi. 1. Poster yo‘q 2. 165mmx145 mm16:T94d,Re : SCENE#1 Diqqat bilan tingladim. Eng avvalo, sizning hikoyangizni eshitish men uchun sharaf edi. Buning sharofati bilan, yaqinda qalbim eng pokiza tuyg‘ularga to‘ldi va bu taassurotlar o‘chmasdan turib, sizga javob yozmoqdaman. To‘g‘risini aytsam, ‘Yorug‘ tun’ (눈부신밤) kutilmagan edi. La Poem’ning birinchi albomi, ayniqsa uning mavzusi eng iliq narsalar haqida bo‘ladi deb taxmin qilgan edim. Ajablanarlisi, bu juda achchiq xayrlashuvni paradoksal ravishda go‘zal tasvirlagan hikoya ekan. Men qachondan boshlab ‘xayrlashuv’ni juda g‘amgin tarzda yoza olmaydigan shoirga aylanib qoldim. Chunki xayrlashuvning oldida va orqasida bir insonni to‘laqonli voyaga yetkazadigan darajadagi energiya bor deb o‘ylay boshlaganimdan beri. Ayriliqqa ‘xayrlashuv’ deb nom berish darajasidagi mehrli narsaga ega bo‘lish tajribasi, yo‘qotishni istamaydigan narsaga ega bo‘lgandagina o‘rganiladigan qo‘rquv va shu qo‘rquv bilan birga kuchayadigan iroda. So‘ngra, shunchalik qadrli narsani yuborishni qabul qilish kerak bo‘lgan ko‘plab g‘amlar va matonat, natijada esa go‘zalliklarni qayta sig‘dira oladigan mustahkam ‘men’ degan makon. ‘Amigos Para Siempre’ bilan jo‘shqin salom olganimdan so‘ng, ‘Yangi oy’ (신월), ‘Yorug‘ tun’ (눈부신 밤), ‘Yomg‘ir boshlanishi’ (초우) taronalarini ketma-ket tinglab, ichimda to‘planib qolgan keraksiz va yopishqoq narsalar tozalanayotganini his qildim. Ayniqsa, ‘La Tempesta’ buni yanada qat’iyroq aytdi. Men bir marta La Poem xuddi yuqori sifatli audio tizimga o‘xshash jamoa bo‘ladi deb aytgan edim. Yaxshi tovush chiqaradigan narsa asbobdan yoki musiqadan oldin, ‘makon’dir. La Poem’ga xos ravishda, ular avvalo qo‘shiq aytiladigan makonni tartibga solishni istaganmidi? Yaxshi hikoya va yaxshi tovush aslo alohida tushunchalar emasligini albom orqali bildirganingiz uchun rahmat. Eng og‘ir va og‘riqli narsalarni avval silab-izlagan nozik qalbingizni ham eslab qolaman. P.S.: Qiziqarlisi, to‘rtovingizning ovozlari men uchun turli rollarni bajardi. ‘Ideal’, ‘Qat’iyat’, ‘Bugungi kunni yashayotgan men’ va ‘Men oyoq bosgan yer’ kabi. Albatta, bu moslikning to‘g‘ri javobini har bir kishining o‘z talqiniga qoldiraman. Kim Ina tomonidan yuborildi. 1. Poster yo‘q 2. 165mmx145 mm17:T1e78,

Track List

1. Amigos Para Siempre
2. 신월 (新月)
3. 눈부신 밤
4. 초우
5. Fantasy (with Danny Koo)
6. La Tempesta
7. Dear My Dear
8. Bonus Track (CD Only)

Details

Re : SCENE#1

잘 들었습니다. 가장 먼저 당신의 이야기를 들을 수 있어 영광이었습니다. 덕분에 근래 들어 가장 순수한 마음으로 가득 차, 이 여운이 가시기 전에 답장을 씁니다.
고백하자면 ‘눈부신 밤’은 꽤나 의외였습니다. 라포엠의 첫 앨범, 특히 주제 이야기는 가장 따스한 것들에 대한 것이리라 짐작했거든요. 놀랍게도 지독히 서러운 이별을 역설적으로 아름답게 풀어낸 이야기였습니다. 나는 언젠가부터 ‘이별’을 아주 슬프게 만은 쓰지 못하는 작사가가 되어버렸습니다. 이별이라는 것에는 사람 하나를 거뜬히 키워낼 만큼의 에너지가 앞뒤로 달려있다는 생각을 하면서부터요. 헤어짐에 이별이라는 이름이 붙여질 만큼 애틋한 무언가를 가져본 경험, 잃고 싶지 않은 것을 가져야만 배워지는 두려움, 그 두려움만큼 강인해지는 힘. 이어서 그토록 소중한 것을 보내주는 걸 받아들여야 하는 수많은 서러움과 의연함, 그리하여 얻어지는 아름다운 것들을 다시 담을 수 있는 견고한 ‘나’라는 공간까지.
‘Amigos Para Siempre’로 힘찬 인사를 받은 뒤 ‘신월’, ‘눈부신 밤’, ‘초우’를 잇달아 들으며 내 안에 고여있던 불필요하고 끈적거리는 것들이 비워지는 느낌을 받았습니다. 특히 ‘La Tempesta’는 좀 더 단호하게 그런 이야기를 해주더군요. 라포엠은 명품오디오 같은 팀이 될 것 같다고 말한 적이 있습니다. 좋은 소리를 내는 것은 악기에, 음악에 앞서 ‘공간’이지요. 역시 라포엠답게도, 들어와 노래를 부를 공간을 먼저 정리해두고 싶었던 걸까요?
좋은 이야기와 좋은 소리는 결코 별개의 개념이 아님을 앨범을 통해 알려주어서 고맙습니다. 가장 무겁고 아픈 것들을 먼저 어루만져준 세심한 마음도 기억하겠습니다.
추신: 흥미롭게도 네 분의 목소리는 저에게 다른 역할을 해주더군요. ‘이상’, ‘다짐’, ‘오늘을 살아내는 나’ 그리고 ‘내가 디디고 선 땅’ 이렇게요. 매칭의 정답은 만인의 해석으로 열어두겠지만요.

김이나 드림

<상세정보>
1. 포스터 없음
2. 165mmx145 mm

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