14:I[75342,["/_next/static/chunks/2d99ng_qv7zv0.js","/_next/static/chunks/444k5v0k50l4e.js","/_next/static/chunks/2b0019gvtbaii.js","/_next/static/chunks/2yr_4iqqqrjg5.js","/_next/static/chunks/0s7x331owthkn.js","/_next/static/chunks/2ayn2rjlb5gwp.js","/_next/static/chunks/0zl6c8sx0_v54.js","/_next/static/chunks/3x_teeq6fd2nv.js","/_next/static/chunks/3h8ivh-jgeee-.js"],"default"] 13:T4cd,{"@context":"https://schema.org","@type":"Product","@id":"https://www.kstarmusic.com/shop/L200002793#product","name":"Mini Album Pertama [Profiles of the Future (Λ) : 70%] (POCA)","description":"SUPERKIND · Mini Album Pertama [Profiles of the Future (Λ) : 70%] (POCA) · produk. 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Setelah memperkenalkan Sejin melalui single digital pertama dan Seung melalui single kedua, SUPERKIND kini mendedahkan penampilan penuh 7 orang buat pertama kalinya kepada dunia melalui mini album ini. Sesuai dengan slogan "2Dx3D, Dimensions Assemble!", album ini mendapat inspirasi daripada anime 'Cowboy Bebop' dan filem 'Men in Black', dengan menggabungkan elemen 2D dan 3D secara strategik. Ia membawakan keseronokan yang hanya boleh dipersembahkan oleh SUPERKIND dalam genre pengejaran SF (fiksyen sains). Selain itu, melalui mini album ini, SUPERKIND telah memperluaskan elemen interaktif yang menjadi kebanggaan mereka ke dalam muzik. Trek terakhir album ini, 'Mugshot', adalah satu-satunya lagu yang berjaya melepasi semua pencarian (quest) dalam 'Social Music Mining Game' yang disertai oleh ahli SUPERKIND dan para pemain, sebelum dihasilkan dan dilancarkan. Apabila mendengar lagu ini, para pemain bukan sekadar menikmati muzik, malah dapat mengingati dan merasai semula keterujaan serta kehangatan semasa menyelesaikan pencarian dalam permainan tersebut.16:T4c3,[Pengenalan Album] Profiles of the Future (Λ) : 70% A-idol generasi pertama, SUPERKIND akhirnya kembali sebagai kumpulan lengkap beranggotakan 7 orang! Setelah memperkenalkan Sejin melalui single digital pertama dan Seung melalui single kedua, SUPERKIND kini mendedahkan penampilan penuh 7 orang buat pertama kalinya kepada dunia melalui mini album ini. Sesuai dengan slogan "2Dx3D, Dimensions Assemble!", album ini mendapat inspirasi daripada anime 'Cowboy Bebop' dan filem 'Men in Black', dengan menggabungkan elemen 2D dan 3D secara strategik. Ia membawakan keseronokan yang hanya boleh dipersembahkan oleh SUPERKIND dalam genre pengejaran SF (fiksyen sains). Selain itu, melalui mini album ini, SUPERKIND telah memperluaskan elemen interaktif yang menjadi kebanggaan mereka ke dalam muzik. Trek terakhir album ini, 'Mugshot', adalah satu-satunya lagu yang berjaya melepasi semua pencarian (quest) dalam 'Social Music Mining Game' yang disertai oleh ahli SUPERKIND dan para pemain, sebelum dihasilkan dan dilancarkan. Apabila mendengar lagu ini, para pemain bukan sekadar menikmati muzik, malah dapat mengingati dan merasai semula keterujaan serta kehangatan semasa menyelesaikan pencarian dalam permainan tersebut.17:Tf9e,1. Beam me up (2Dx3D) 2. Speed (2D) 3. Beam me up (3D) 4. Mugshot (SMMG) 1. Beam me up (2Dx3D) Lagu yang merealisasikan slogan Superkind, “2Dx3D, Dimensions Assemble!” secara bunyi. Ia dihasilkan berdasarkan 'imej' yang bergerak antara realiti dan realiti maya. Dengan menggunakan ciri-ciri akustik dan digital secara bunyi, ia menyampaikan rasa dimensi yang berbeza, sambil menghubungkan (assemble) kedua-dua lagu secara semula jadi menggunakan ritma dan harmoni motif yang sama, sekali gus merealisasikan bunyi gaya Superkind. Written by Alexander Magnus Karlsson, Young Chance, No Identity, Waker (153/Joombas), John Eun, Sara Yoshida Lyrics by Alexander Magnus Karlsson, Young Chance, Sara Yoshida Arranged by No Identity, John Eun, Waker (153/Joombas) Drums by No Identity, Waker (153/Joombas) Synthesizer by No Identity, Waker (153/Joombas) Programming by No Identity, Waker (153/Joombas) Guitar by John Eun Bass by John Eun, No Identity, Waker (153/Joombas) Background Vocals by Young Chance, John Eun Vocal Directed by Young Chance, John Eun Recorded by Kim Jihyun (doobdoob Studio) Mixed by No Identity Mastered by Harrison Hong 2. Speed (2D) Tafsiran semula anime 'Cowboy Bebop', yang memberi inspirasi besar kepada bahagian 2D album ini, ke dalam bunyi K-POP. Ia adalah lagu bunyi band yang menggunakan gitar dan bes sahaja untuk semua instrumen harmoni, mengingatkan kita kepada suasana lagu pembukaan anime. Lirik bahasa Jepun yang digunakan adalah ciri khas untuk menyampaikan sepenuhnya suasana dan tekstur anime 2D yang menjadi motifnya. Written by No Identity, John Eun, Sara Yoshida Lyrics by Sara Yoshida Arranged by No Identity, John Eun Guitar by John Eun Bass by John Eun Drums by No Identity Programming by No Identity Background Vocals by John Eun Vocal Directed by John Eun Recorded by Kim Jihyun (doobdoob Studio) Mixed by No Identity Mastered by Harrison Hong 3. Beam me up (3D) Lagu yang mentafsir semula filem 'Men in Black', yang memberi inspirasi besar kepada bahagian 3D album ini, ke dalam bunyi K-POP. Ritma kick dan bes digunakan secara unik dan menarik, serta berjaya merakamkan suasana khas aksi kejar-mengejar yang megah dan bertenaga. Berbeza dengan Speed yang menonjolkan bunyi band analog, lagu ini menggunakan bunyi digital dan moden untuk mengekspresikan suasana karya SF (fiksyen sains) dengan lebih mendalam. Ditulis oleh Alexander Magnus Karlsson, Young Chance, No Identity, Waker (153/Joombas) Lirik oleh Alexander Magnus Karlsson, Young Chance Digubah oleh No Identity, Waker (153/Joombas) Drum oleh No Identity, Waker (153/Joombas) Synthesizer oleh No Identity, Waker (153/Joombas) Pengaturcaraan oleh No Identity, Waker (153/Joombas) Bass oleh No Identity, Waker (153/Joombas) Vokal Latar oleh Young Chance, Alexander Magnus Karlsson Arahan Vokal oleh Young Chance Dirakam oleh Kim Jihyun (doobdoob Studio) Adunan oleh No Identity Mastering oleh Harrison Hong 4. Mugshot (SMMG) Lagu ini mengisahkan tentang pengejaran SF yang berlaku dalam album ini dari perspektif 5 orang buronan PRID. Melalui gabungan memikat antara muzik Latin Drill dan K-pop, ia melampaui sempadan genre dan merangkumi kepelbagaian muzik global. Bunyi gitar yang jelas memacu groove yang sangat ketagih dalam lagu ini, dan bersambung dengan bunyi gitar daripada trek sebelumnya, Speed, bagi memanjangkan kesan lagu tersebut. Dengan menjadikan lagu ini, yang pertama dihasilkan melalui Social Music Mining Game, sebagai asas, Superkind merancang untuk menambah keseronokan dengan pelbagai elemen interaktif dalam aspek muzik pada masa hadapan. Ditulis oleh Inner Child(MonoTree), PALIC, OIBOI, HYMAX, Jacob Critch, Park Ji-yeon Lirik oleh Inner Child(MonoTree), Jacob Critch, Park Ji-yeon Digubah oleh PALIC, OIBOI, HYMAX Gitar oleh PALIC, OIBOI Drum oleh PALIC, OIBOI Bass oleh PALIC, OIBOI Vokal Latar oleh Inner Child, Daniel Kim Dirakam oleh Choi Woo-seok (Studio Beyond) Adunan oleh Park Kyung-sun (Boost Knob) Mastering oleh Park Jung-eon (Honey Butter Studio)18:T100b,1. Beam me up (2Dx3D) 2. Speed (2D) 3. Beam me up (3D) 4. Mugshot (SMMG) 1. Beam me up (2Dx3D) 슈퍼카인드의 슬로건인 “2Dx3D, Dimensions Assemble!”을 사운드적으로 구현한 곡. 현실과 가상현실을 오가는 '이미지'들을 바탕으로 작업되었다. 사운드적으로 어쿠스틱과 디지털의 특징을 활용하여 서로 다른 차원(dimensions)의 느낌을 전달함과 동시에, 같은 모티프의 리듬과 화성을 사용하여 두 곡을 자연스럽게 연결(assemble)시킴으로서 슈퍼카인드스러운 사운드를 구현해내었다. Written by Alexander Magnus Karlsson, Young Chance, No Identity, Waker (153/Joombas), John Eun, Sara Yoshida Lyrics by Alexander Magnus Karlsson, Young Chance, Sara Yoshida Arranged by No Identity, John Eun, Waker (153/Joombas) Drums by No Identity, Waker (153/Joombas) Synthesizer by No Identity, Waker (153/Joombas) Programming by No Identity, Waker (153/Joombas) Guitar by John Eun Bass by John Eun, No Identity, Waker (153/Joombas) Background Vocals by Young Chance, John Eun Vocal Directed by Young Chance, John Eun Recorded by Kim Jihyun (doobdoob Studio) Mixed by No Identity Mastered by Harrison Hong 2. Speed (2D) 이번 앨범의 2D 파트에 크게 영감을 준 애니메이션 ‘카우보이 비밥’을 KPOP적인 사운드로 재해석했다. 모든 화성악기를 기타와 베이스로만 사용하여 마치 애니메이션 오프닝송 분위기를 연상시키는 밴드 사운드 곡이다. 모티프가 된 2D 애니메이션의 분위기와 질감을 고스란히 전달하기 위해 사용된 일본어 가사가 특징적이다. Written by No Identity, John Eun, Sara Yoshida Lyrics by Sara Yoshida Arranged by No Identity, John Eun Guitar by John Eun Bass by John Eun Drums by No Identity Programming by No Identity Background Vocals by John Eun Vocal Directed by John Eun Recorded by Kim Jihyun (doobdoob Studio) Mixed by No Identity Mastered by Harrison Hong 3. Beam me up (3D) 이번 앨범의 3D 파트에 크게 영감을 준 영화 ‘맨 인 블랙’을 케이팝적인 사운드로 재해석한 곡. 킥과 베이스의 리듬을 독특하고 재미있게 사용하였고, 웅장하면서도 시원하게 터지는 추격전 특유의 분위기를 멋지게 담아내었다. 아날로그적인 밴드 사운드가 돋보이는 Speed와는 반대로, 디지털적이고 현대적인 사운드를 사용하여 SF물의 분위기를 한층 더 짙게 표현하였다. Written by Alexander Magnus Karlsson, Young Chance, No Identity, Waker (153/Joombas) Lyrics by Alexander Magnus Karlsson, Young Chance Arranged by No Identity, Waker (153/Joombas) Drums by No Identity, Waker (153/Joombas) Synthesizer by No Identity, Waker (153/Joombas) Programming by No Identity, Waker (153/Joombas) Bass by No Identity, Waker (153/Joombas) Background Vocals by Young Chance, Alexander Magnus Karlsson Vocal Directed by Young Chance Recorded by Kim Jihyun (doobdoob Studio) Mixed by No Identity Mastered by Harrison Hong 4. Mugshot (SMMG) 이번 앨범에서 펼쳐지는 SF 추격전을 현상수배범 PRID 5인의 시선에서 풀어낸 곡이다. 라틴 드릴 뮤직과 케이팝의 매혹적인 융합을 통해 장르의 경계를 뛰어넘어 글로벌 음악의 다양성을 담아내었다. 뚜렷한 기타 사운드는 이 곡의 전염성 강한 그루브를 주도하며, 앞선 트랙인 Speed의 기타 사운드와 이어져 여운을 더 길게 지속시켜준다. 슈퍼카인드는 Social Music Mining Game을 통해 최초로 제작된 이 곡을 초석으로 삼아, 앞으로 음악적인 부분에서도 다양한 인터렉티브 요소로 재미를 더해나갈 예정이다. Written by Inner Child(MonoTree), PALIC, OIBOI, HYMAX, Jacob Critch, 박지연 Lyrics by Inner Child(MonoTree), Jacob Critch, 박지연 Arranged by PALIC, OIBOI, HYMAX Guitar by PALIC, OIBOI Drums by PALIC, OIBOI Bass by PALIC, OIBOI Background Vocals by Inner Child, Daniel Kim Recorded by 최우석 (Studio Beyond) Mixed by 박경선 (Boost Knob) Mastered by 박정언 (Honey Butter Studio)19:Ta6d9,

Track List

1.Beam me up (2Dx3D)
2.Speed (2D)
3.Beam me up (3D)
4.Mugshot (SMMG)

Product Image

*앨범 사양
- PHOTOSTAND PACKAGE + SLEEVE : 85x130mm / 1종 (버전 별 이미지 상이)
- QR CARD : 55x85mm / 7종 중 랜덤 1종 삽입 (버전 별 이미지 상이)
- PHOTO CARD : 55x85mm / 7종 중 랜덤 2종 삽입 (버전 별 이미지 상이)
- STICKER : 70x90mm / 2종 삽입 (버전 별 이미지 상이)
- ACCORDION POSTCARD : 450*120mm / 1종 삽입 (버전 별 이미지 상이)
- USER GUIDE : 55x85mm / 1종

Details

[앨범 소개]

Profiles of the Future (Λ) : 70%

A-idol 1세대, 슈퍼카인드가 드디어 7인 완전체로 돌아왔다!

첫 번째 디지털 싱글을 통해 세진을, 두 번째 싱글을 통해 승을 만난 슈퍼카인드는 이번 미니앨범을 통해 최초로 7인 완전체의 모습을 세상에 공개한다. "2Dx3D, Dimensions Assemble!"이라는 슬로건답게, 애니메이션 '카우보이 비밥'과 영화 '맨인블랙'에서 영감을 받아 2D의 요소와 3D의 요소를 적재적소에 배치하여 제작된 이번 앨범은 슈퍼카인드만이 보여줄 수 있는 재미를 SF 추격물 장르로 풀어내었다.

더불어, 슈퍼카인드는 이번 미니 앨범을 통해서 슈퍼카인드가 자랑하는 interactive 요소를 음악에도 확장시켰다. 앨범의 마지막 트랙인 'Mugshot'은 슈퍼카인드 멤버들과 플레이어들이 함께한 'Social Music Mining Game'의 여러 후보곡들 중에서 유일하게 모든 퀘스트를 통과하여 제작 및 발매된 곡이다. 플레이어들은 이 곡을 감상할 때 단순히 음악을 즐기는 것을 넘어 게임플레이 당시 퀘스트를 함께 클리어하며 느꼈던 짜릿함과 열기를 다시 한 번 떠올리고 경험할 수 있다.

[Track List]

1. Beam me up (2Dx3D)

슈퍼카인드의 슬로건인 “2Dx3D, Dimensions Assemble!”을 사운드적으로 구현한 곡. 현실과 가상현실을 오가는 '이미지'들을 바탕으로 작업되었다. 사운드적으로 어쿠스틱과 디지털의 특징을 활용하여 서로 다른 차원(dimensions)의 느낌을 전달함과 동시에, 같은 모티프의 리듬과 화성을 사용하여 두 곡을 자연스럽게 연결(assemble)시킴으로서 슈퍼카인드스러운 사운드를 구현해내었다.

Written by Alexander Magnus Karlsson, Young Chance, No Identity,

Waker (153/Joombas), John Eun, Sara Yoshida

Lyrics by Alexander Magnus Karlsson, Young Chance, Sara Yoshida

Arranged by No Identity, John Eun, Waker (153/Joombas)

Drums by No Identity, Waker (153/Joombas)

Synthesizer by No Identity, Waker (153/Joombas)

Programming by No Identity, Waker (153/Joombas)

Guitar by John Eun

Bass by John Eun, No Identity, Waker (153/Joombas)

Background Vocals by Young Chance, John Eun

Vocal Directed by Young Chance, John Eun

Recorded by Kim Jihyun (doobdoob Studio)

Mixed by No Identity

Mastered by Harrison Hong

2. Speed (2D)

이번 앨범의 2D 파트에 크게 영감을 준 애니메이션 ‘카우보이 비밥’을 KPOP적인 사운드로 재해석했다. 모든 화성악기를 기타와 베이스로만 사용하여 마치 애니메이션 오프닝송 분위기를 연상시키는 밴드 사운드 곡이다. 모티프가 된 2D 애니메이션의 분위기와 질감을 고스란히 전달하기 위해 사용된 일본어 가사가 특징적이다.

Written by No Identity, John Eun, Sara Yoshida

Lyrics by Sara Yoshida

Arranged by No Identity, John Eun

Guitar by John Eun

Bass by John Eun

Drums by No Identity

Programming by No Identity

Background Vocals by John Eun

Vocal Directed by John Eun

Recorded by Kim Jihyun (doobdoob Studio)

Mixed by No Identity

Mastered by Harrison Hong

3. Beam me up (3D)

이번 앨범의 3D 파트에 크게 영감을 준 영화 ‘맨 인 블랙’을 케이팝적인 사운드로 재해석한 곡. 킥과 베이스의 리듬을 독특하고 재미있게 사용하였고, 웅장하면서도 시원하게 터지는 추격전 특유의 분위기를 멋지게 담아내었다. 아날로그적인 밴드 사운드가 돋보이는 Speed와는 반대로, 디지털적이고 현대적인 사운드를 사용하여 SF물의 분위기를 한층 더 짙게 표현하였다.

Written by Alexander Magnus Karlsson, Young Chance, No Identity, Waker (153/Joombas)

Lyrics by Alexander Magnus Karlsson, Young Chance

Arranged by No Identity, Waker (153/Joombas)

Drums by No Identity, Waker (153/Joombas)

Synthesizer by No Identity, Waker (153/Joombas)

Programming by No Identity, Waker (153/Joombas)

Bass by No Identity, Waker (153/Joombas)

Background Vocals by Young Chance, Alexander Magnus Karlsson

Vocal Directed by Young Chance

Recorded by Kim Jihyun (doobdoob Studio)

Mixed by No Identity

Mastered by Harrison Hong

4. Mugshot (SMMG)

이번 앨범에서 펼쳐지는 SF 추격전을 현상수배범 PRID 5인의 시선에서 풀어낸 곡이다.

라틴 드릴 뮤직과 케이팝의 매혹적인 융합을 통해 장르의 경계를 뛰어넘어 글로벌 음악의 다양성을 담아내었다. 뚜렷한 기타 사운드는 이 곡의 전염성 강한 그루브를 주도하며, 앞선 트랙인 Speed의 기타 사운드와 이어져 여운을 더 길게 지속시켜준다.

슈퍼카인드는 Social Music Mining Game을 통해 최초로 제작된 이 곡을 초석으로 삼아, 앞으로 음악적인 부분에서도 다양한 인터렉티브 요소로 재미를 더해나갈 예정이다.

Written by Inner Child(MonoTree), PALIC, OIBOI, HYMAX, Jacob Critch, 박지연

Lyrics by Inner Child(MonoTree), Jacob Critch, 박지연

Arranged by PALIC, OIBOI, HYMAX

Guitar by PALIC, OIBOI

Drums by PALIC, OIBOI

Bass by PALIC, OIBOI

Background Vocals by Inner Child, Daniel Kim

Recorded by 최우석 (Studio Beyond)

Mixed by 박경선 (Boost Knob)

Mastered by 박정언 (Honey Butter Studio)

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