14:I[75342,["/_next/static/chunks/2d99ng_qv7zv0.js","/_next/static/chunks/444k5v0k50l4e.js","/_next/static/chunks/2b0019gvtbaii.js","/_next/static/chunks/2yr_4iqqqrjg5.js","/_next/static/chunks/0s7x331owthkn.js","/_next/static/chunks/2ayn2rjlb5gwp.js","/_next/static/chunks/0zl6c8sx0_v54.js","/_next/static/chunks/3x_teeq6fd2nv.js","/_next/static/chunks/3h8ivh-jgeee-.js"],"default"] 13:T438,{"@context":"https://schema.org","@type":"Product","@id":"https://www.kstarmusic.com/shop/S80665C#product","name":"The Sound of Movies","description":"Jonas Kaufmann · The Sound of Movies · product. The world's \"hottest\" tenor “The world's greatest tenor” - The Telegraph, UK “The greatest tenor of our day” - The New York Times,…","url":"https://www.kstarmusic.com/shop/S80665C","image":["https://cdn.kstarcompany.com/cdn/45f92833-f788-4f75-b740-44e739ca1ab1"],"sku":"S80665C","category":"product","brand":{"@type":"Brand","name":"Jonas Kaufmann"},"offers":{"@type":"Offer","url":"https://www.kstarmusic.com/shop/S80665C","priceCurrency":"KRW","price":16300,"availability":"https://schema.org/OutOfStock","itemCondition":"https://schema.org/NewCondition","seller":{"@type":"Organization","name":"KSTARMUSIC"}},"additionalProperty":[{"@type":"PropertyValue","name":"Artist","value":"Jonas Kaufmann"},{"@type":"PropertyValue","name":"Album","value":"The Sound of Movies"},{"@type":"PropertyValue","name":"Release date","value":"2023-09-15"}],"gtin13":"8803581186659"}15:Ta65,The world's "hottest" tenor “The world's greatest tenor” - The Telegraph, UK “The greatest tenor of our day” - The New York Times, USA Jonas Kaufmann The Sound of Movies Film music sung by Jonas Kaufmann! It is impossible to even imagine a movie without music. Music does not merely enhance the effect of the image; it often evokes emotions that are more intense and lasting than the image itself. While music can leave a strong impression without visuals, a film cannot achieve such an effect without music. Even during the era of silent films, people were well aware of this, which is why pianists or small orchestras were employed to accompany the visuals throughout the screening; these live performances contributed greatly to the audience's emotional experience. Therefore, it is not surprising that from the dawn of sound films, the demand for great composers was as overflowing as that for famous actors or directors. Among them, Erich Wolfgang Korngold and Max Steiner are revered today as the fathers of film music. The works they produced in Hollywood became the cornerstone of a great tradition that extended from Franz Waxman and Roger Miklós to Bernard Herrmann, and later to Nino Rota, Ennio Morricone, John Williams, and Hans Zimmer. What would have happened if Korngold's music were removed from Errol Flynn's adventure films, or if Bernard Herrmann's music were absent from Hitchcock's classics *Vertigo* or *Psycho*? The emotional impact of these works would undoubtedly have been reduced by more than half. Furthermore, I dare to assert that if it were possible to steal the emotional foundation created by music from a film, that film would lose most of its efficacy. On the other hand, the dazzling success of early sound films owed much to vocalists such as Richard Tauber, Josef Schmidt, and Jan Kiepura who were active in Berlin, as well as Jeanette MacDonald and Nelson Eddy in Hollywood. Mario Lanza was also a figure who achieved great success in the film industry, and his 1951 film *The Great Caruso* opened the doors wide, inviting people of all generations into the world of opera. As an avid movie buff and a singer, I cannot help but be extremely fond of all kinds of vocal numbers included in various soundtracks from around the world, and this is likely why the process of scouring the vast treasury of film music to find the most beautiful pieces for my new album felt so enjoyable. The resulting album is like a crystallization of the gems recorded in over 80 years of cinematic history. Whether they were inserted to support the visuals or treated as pure music, all these works hold a deep place in my heart.16:Ta65,The world's "hottest" tenor “The world's greatest tenor” - The Telegraph, UK “The greatest tenor of our day” - The New York Times, USA Jonas Kaufmann The Sound of Movies Film music sung by Jonas Kaufmann! It is impossible to even imagine a movie without music. Music does not merely enhance the effect of the image; it often evokes emotions that are more intense and lasting than the image itself. While music can leave a strong impression without visuals, a film cannot achieve such an effect without music. Even during the era of silent films, people were well aware of this, which is why pianists or small orchestras were employed to accompany the visuals throughout the screening; these live performances contributed greatly to the audience's emotional experience. Therefore, it is not surprising that from the dawn of sound films, the demand for great composers was as overflowing as that for famous actors or directors. Among them, Erich Wolfgang Korngold and Max Steiner are revered today as the fathers of film music. The works they produced in Hollywood became the cornerstone of a great tradition that extended from Franz Waxman and Roger Miklós to Bernard Herrmann, and later to Nino Rota, Ennio Morricone, John Williams, and Hans Zimmer. What would have happened if Korngold's music were removed from Errol Flynn's adventure films, or if Bernard Herrmann's music were absent from Hitchcock's classics *Vertigo* or *Psycho*? The emotional impact of these works would undoubtedly have been reduced by more than half. Furthermore, I dare to assert that if it were possible to steal the emotional foundation created by music from a film, that film would lose most of its efficacy. On the other hand, the dazzling success of early sound films owed much to vocalists such as Richard Tauber, Josef Schmidt, and Jan Kiepura who were active in Berlin, as well as Jeanette MacDonald and Nelson Eddy in Hollywood. Mario Lanza was also a figure who achieved great success in the film industry, and his 1951 film *The Great Caruso* opened the doors wide, inviting people of all generations into the world of opera. As an avid movie buff and a singer, I cannot help but be extremely fond of all kinds of vocal numbers included in various soundtracks from around the world, and this is likely why the process of scouring the vast treasury of film music to find the most beautiful pieces for my new album felt so enjoyable. The resulting album is like a crystallization of the gems recorded in over 80 years of cinematic history. Whether they were inserted to support the visuals or treated as pure music, all these works hold a deep place in my heart.17:T2997,

Track List

1 The Loveliest Night Of The Year (From "The Great Caruso")
2 Where Do I Begin? (From "Love Story")
3 Maria (From "West Side Story")
4 The Cider House Rules (Main Title)
5 Nelle tue mani [Now We Are Free] (From "Gladiator")
6 Se [If] (From "Cinema Paradiso")
7 E più ti penso (From "Once Upon a Time in America")
8 Strangers In The Night (From "A Man Could Get Killed")
9 Bring Him Home (From "Les Misérables")
10 Nella fantasia (From "The Mission")
11 Conquest Of Paradise (From "1492: Conquest of Paradise")
12 What Is A Youth? (From "Romeo and Juliet")
13 She Was Beautiful - Cavatina (From "The Deer Hunter")
14 Por una Cabeza (From "Scent of a Woman")
15 What A Wonderful World (From "Good Morning, Vietnam")
16 You'll Never Walk Alone (From "Carousel")
17 Moon River (From "Breakfast at Tiffany's")
18 Singin' In The Rain (Main Title)
19 Ich küsse ihre Hand, Madame (Main Title)
20 Reality (From "La Boum")
21 Edelweiss (From "The Sound of Music")
22 Serenade (From "The Student Prince")

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전세계에서 가장 ‘핫’한 테너
“전세계 최고의 테너” -영국 텔라그래프
“오느날 가장 위대한 테너”-미국 뉴욕 타임즈
Jonas Kaufmann
요나스 카우프만
The Sound of Movies
요나스 카우프만이 노래하는 영화 음악!

음악이 없는 영화는 상상조차 할 수 없다. 음악은 그저 이미지의 효력을 증진시키는 데 그치지 않고 종종 이미지 그 자체보다 더욱 강렬하고 지속적인 감정을 불러일으킨다. 음악은 영상이 없이도 강한 인상을 남길 수 있지만, 영화는 음악 없이는 이런 효과를 내지 못한다. 무성영화 시대에조차 사람들은 이를 잘 알고 있었기에 영화를 상영하는 내내 피아니스트나 소규모 오케스트라를 동원해 영상을 반주하게 했으며, 이런 실황 연주는 관객들의 감정적 경험에 크게 이바지했다. 그러니 유성영화의 태동기부터 훌륭한 작곡가들에 대한 수요가 유명한 배우나 감독 못지않게 넘쳐났던 것은 그리 놀라운 일이 아니다. 그중 에리히 볼프강 코른골트와 막스 슈타이너, 이 두 명의 작곡가는 오늘날 영화 음악의 아버지로 추앙받고 있다. 할리우드에서 이들이 작업한 작품들은 프란츠 왁스만과 로저 미클로시, 버나드 허먼에서부터 후대의 니노 로타, 엔니오 모리코네, 존 윌리엄스, 한스 짐머로까지 이어지는 위대한 전통의 초석이 되었다. 만약 에롤 플린의 모험극에서 코른골트의 음악을 뺀다면, 혹은 히치콕의 고전인 <현기증>이나 <싸이코>에 버나드 허먼의 음악이 없었다면 어찌 되었을까? 이 작품들의 감흥은 절반 이하로 줄어들었을 것이 분명하다. 한 걸음 더 나아가 나는 만약 영화에서 음악이 자아내는 정서적 기반을 훔쳐내는 일이 가능하다면 그 영화는 자신의 효력의 대부분을 상실하고 말 거라 감히 주장하고 싶다.

다른 한편으로 초기 유성영화가 거둔 눈부신 성공에는 베를린에서 활동한 리하르트 타우버, 요제프 슈미트, 얀 키푸라를 비롯해 헐리우드의 자넷 맥도날드나 넬슨 에디 같은 성악가들의 공도 컸다. 마리오 란차 역시 영화계에서 커다란 성공을 거둔 인물로 그가 출연한 1951년 작 <위대한 카루소>는 모든 세대의 사람들을 오페라의 세계로 초대하는 입구를 활짝 열었다.

열렬한 영화광이자 성악가로서 나는 전세계의 다양한 사운드트랙에 수록된 온갖 종류의 보컬 넘버에 대단히 호의적일 수밖에 없으며, 아마도 이것이 새 앨범에 수록할 가장 아름다운 작품을 찾기 위해 영화 음악의 장대한 보고를 뒤지는 과정이 그토록 즐겁게 느껴졌던 이유일 것이다. 그렇게 탄생한 이 앨범은 80년이 넘는 영화사에 기록된 주옥같은 작품들을 집약해 놓은 결정체와도 같다. 영상을 뒷받침하기 위해 삽입되었든 혹은 순수한 음악으로써 다뤄지든지 간에, 이 작품들은 모두 내 마음 한구석에 깊이 자리 잡고 있다.

18:Tc91,전세계에서 가장 ‘핫’한 테너 “전세계 최고의 테너” -영국 텔라그래프 “오느날 가장 위대한 테너”-미국 뉴욕 타임즈 Jonas Kaufmann 요나스 카우프만 The Sound of Movies 요나스 카우프만이 노래하는 영화 음악! 음악이 없는 영화는 상상조차 할 수 없다. 음악은 그저 이미지의 효력을 증진시키는 데 그치지 않고 종종 이미지 그 자체보다 더욱 강렬하고 지속적인 감정을 불러일으킨다. 음악은 영상이 없이도 강한 인상을 남길 수 있지만, 영화는 음악 없이는 이런 효과를 내지 못한다. 무성영화 시대에조차 사람들은 이를 잘 알고 있었기에 영화를 상영하는 내내 피아니스트나 소규모 오케스트라를 동원해 영상을 반주하게 했으며, 이런 실황 연주는 관객들의 감정적 경험에 크게 이바지했다. 그러니 유성영화의 태동기부터 훌륭한 작곡가들에 대한 수요가 유명한 배우나 감독 못지않게 넘쳐났던 것은 그리 놀라운 일이 아니다. 그중 에리히 볼프강 코른골트와 막스 슈타이너, 이 두 명의 작곡가는 오늘날 영화 음악의 아버지로 추앙받고 있다. 할리우드에서 이들이 작업한 작품들은 프란츠 왁스만과 로저 미클로시, 버나드 허먼에서부터 후대의 니노 로타, 엔니오 모리코네, 존 윌리엄스, 한스 짐머로까지 이어지는 위대한 전통의 초석이 되었다. 만약 에롤 플린의 모험극에서 코른골트의 음악을 뺀다면, 혹은 히치콕의 고전인 <현기증>이나 <싸이코>에 버나드 허먼의 음악이 없었다면 어찌 되었을까? 이 작품들의 감흥은 절반 이하로 줄어들었을 것이 분명하다. 한 걸음 더 나아가 나는 만약 영화에서 음악이 자아내는 정서적 기반을 훔쳐내는 일이 가능하다면 그 영화는 자신의 효력의 대부분을 상실하고 말 거라 감히 주장하고 싶다. 다른 한편으로 초기 유성영화가 거둔 눈부신 성공에는 베를린에서 활동한 리하르트 타우버, 요제프 슈미트, 얀 키푸라를 비롯해 헐리우드의 자넷 맥도날드나 넬슨 에디 같은 성악가들의 공도 컸다. 마리오 란차 역시 영화계에서 커다란 성공을 거둔 인물로 그가 출연한 1951년 작 <위대한 카루소>는 모든 세대의 사람들을 오페라의 세계로 초대하는 입구를 활짝 열었다. 열렬한 영화광이자 성악가로서 나는 전세계의 다양한 사운드트랙에 수록된 온갖 종류의 보컬 넘버에 대단히 호의적일 수밖에 없으며, 아마도 이것이 새 앨범에 수록할 가장 아름다운 작품을 찾기 위해 영화 음악의 장대한 보고를 뒤지는 과정이 그토록 즐겁게 느껴졌던 이유일 것이다. 그렇게 탄생한 이 앨범은 80년이 넘는 영화사에 기록된 주옥같은 작품들을 집약해 놓은 결정체와도 같다. 영상을 뒷받침하기 위해 삽입되었든 혹은 순수한 음악으로써 다뤄지든지 간에, 이 작품들은 모두 내 마음 한구석에 깊이 자리 잡고 있다.7:[["$","script",null,{"id":"product-structured-data","type":"application/ld+json","dangerouslySetInnerHTML":{"__html":"$13"}}],["$","$L14",null,{"initialItem":{"id":19987,"code":"S80665C","supplier_product_name":"요나스 카우프만 (Jonas Kaufmann) - [The Sound of Movies]","supplier_option":"","sale_channel":"kstarmusic","manager_md":"","manager_main":"","manager_sub":"","soldout_on_empty":true,"restock_release":false,"cost_price":11220,"commission_rate":0,"location":"","memo":"WISA hash=3C30A4632A80063E9B69B5E72E52A1DB; HS=8523491040","addon_group_ids":"","product_kind":"product","model_no":"S80665C","tag_price":20200,"option_edit":"수정가능","product_url":"https://www.kstarmusic.com/shop/19987","category_id":31,"category_name":"product","skin":"","mobile_skin":"","name":"The Sound of Movies","summary":"","maker":"Sony Classical","brand":"Jonas Kaufmann","price":16300,"list_price":20200,"points":0,"stock_qty":0,"sold_qty":0,"is_active":true,"is_soldout":true,"restock_sms_enabled":false,"is_hit":false,"is_recommend":false,"is_new":false,"is_preorder":false,"sale_page_open_at":null,"preorder_starts_at":null,"preorder_ends_at":null,"release_at":"2023-09-15T09:00:00+09:00","new_until":null,"is_popular":false,"is_sale":false,"hit_count":8,"sort_order":0,"image_url":"https://cdn.kstarcompany.com/cdn/45f92833-f788-4f75-b740-44e739ca1ab1","content":"$15","head_html":"","tail_html":"","mobile_head_html":"","mobile_tail_html":"","origin":"KOREA","model":"The Sound of Movies","seo_title":"요나스 카우프만 (Jonas Kaufmann) 요나스 카우프만 (Jonas Kaufmann) - [The Sound of Movies] 8803581186659 S80665C 1012-3541533","admin_memo":"WISA hash=3C30A4632A80063E9B69B5E72E52A1DB; HS=8523491040","mobile_content":"$16","tracklist":"1 The Loveliest Night Of The Year (From \"The Great Caruso\")\n2 Where Do I Begin? 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